Le Monument de Henry Du Mont et la sculpture funéraire à l'époque du père Ménestrier
Identifieur interne : 000043 ( France/Analysis ); précédent : 000042; suivant : 000044Le Monument de Henry Du Mont et la sculpture funéraire à l'époque du père Ménestrier
Auteurs : Florence Gétreau [France]Source :
Descripteurs français
- mix :
- Anne de Noailles, Anselme Flamen, Charles Le Brun, Claude-François Ménestrier, François-Roger de Gaignières, Félix Raugel, Gaspard Marsy, Henry Du Mont, Jean Audran, Jean-Baptiste Lully, Jérôme de La Gorce, Laurence Decobert, Louis Garnier, Madeleine Lambert, Nicolas Henri Tardieu, Paul de Vitry, Robert Mercier, Titon Du Tillet.
Abstract
This article is devoted to Henry Du Mont's tomb's fragment exhibited permanently in the Louvre and part of this institution since 1898-1899. This bas-relief is representing a draped female, her arm sustaining her tearful face. She is holding a sheet of music (Suspendimus Organa nostra, & versa est in luctum modulatio, part of the Grands motets by Dumont, 1686, Volume 5). Both sides of this Allegory of Music, instruments are on the floor. A bass viola da gamba with bow, and a cabinet organ with two keyboards. The complete design for the tomb (with a pyramid and the portrait of the musician) is known thanks to a drawing from the Recueil gathered by Roger de Gaignières (1642-1715) and offered to the King in 1711. The symbolic value of this tomb is completed with the help of Claude-François Ménestrier's writings (1683) and Titon du Tillet's Parnasse françois, and replaced among the 300 items of the Recueil Gaignières.
Url:
Affiliations:
Links toward previous steps (curation, corpus...)
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- to stream Main, to step Exploration: 000051
- to stream France, to step Extraction: 000043
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Hal:halshs-00717067Le document en format XML
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<front><div type="abstract" xml:lang="en">This article is devoted to Henry Du Mont's tomb's fragment exhibited permanently in the Louvre and part of this institution since 1898-1899. This bas-relief is representing a draped female, her arm sustaining her tearful face. She is holding a sheet of music (Suspendimus Organa nostra, & versa est in luctum modulatio, part of the Grands motets by Dumont, 1686, Volume 5). Both sides of this Allegory of Music, instruments are on the floor. A bass viola da gamba with bow, and a cabinet organ with two keyboards. The complete design for the tomb (with a pyramid and the portrait of the musician) is known thanks to a drawing from the Recueil gathered by Roger de Gaignières (1642-1715) and offered to the King in 1711. The symbolic value of this tomb is completed with the help of Claude-François Ménestrier's writings (1683) and Titon du Tillet's Parnasse françois, and replaced among the 300 items of the Recueil Gaignières. </div>
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